The melding of a modern family saga with the Nativity is too awkward and hectic to let audiences sit back and appreciate some powerhouse singers and music.. In effect, the oppressed Taani is allowed to open up but the repressed Surinder is not, which hardly seems fair.. Its pastoral ambitions compensate for its lack of finesse.. Almost every beat of Langston's tale, with its absent father figures and heated gun-pointing melodrama, rings false-hardly a fitting contemporary complement to the Great...
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