Anna Biller's pseudofeminist send-up of the sexploitation movies of the late '60s and early '70s remains as limp as the flaccid dongs at her film's nudist sing-along.. The movie pops with parodic joy--in the hoary double-entendres and presentational acting styles--and hotly lighted 35-millimeter cinematography that evokes lounge music album covers and Playboy ads.. The campy early '70s is the goofy gift that keeps on giving in Viva, a mock soft-core sexploitation film that gets a lot right but f...
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