This film adaptation, written by Bill Condon, is somewhat kinder and gentler than the stage versions that preceded it.. The net effect of the incessant dazzle is depressing.. As sentimental as a plywood casket, Chicago has satirical bite and a mean wit that somehow never obscures its characters' unlikely likability.. By the end of Chicago, just about everyone in it has razzle-dazzled someone, and so has the movie, which leaves you thrilled at how good it feels to see life, death, and girl power ...
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